The Show Critics Love to Hate Panning the Whitney Biennial: Excerpts from reviews dating back to 1932 The New York Times / Museums section April 23, 2003 Industrial Strength: Julie Bargmann Can a tough girl from New Jersey teach the EPA how to make Superfund sites live and breathe again? Metropolis May 2003 Independent Curators: Have Art, Will Travel The inside scoop on outside curators The New York Times / Museums section April 24, 2002 When a Polar Bear Needs a Pedicure A visit to Schwendeman's Taxidermy Studio, now in its third generation The New York Times / Science section March 26, 2002 What Exit? Driving the New Jersey Turnpike From celebrated superhighway to despised eyesore in only half a century Metropolis August / September 2001 Inflation Creates a New Breed of Movers and Shakers The brutal and exacting art of moving massive art The New York Times / Museums section May 2, 2001 Keeping the Customers - Surprised Giving Lawrence Rubin Greenburg Van Doren's art buyers something completely different can be risky business Wall Street Journal April 23, 2001 A Softening of the Edges Petra Blaisse's interiors and landscapes provide the feminine ballast to contrast Rem Koolhaas's stark buildings Metropolis April 2001 Target: AVL Everybody's watching the Atelier van Lieshout, but no one can say if their weapon designs, sex equipment, and militia compounds are "just art" -- or something more sinister Metropolis May 2000 Ashram at Rikers Relaxation techniques at a maximum-security prison 2000 Boardwalk on the Wild Side In Wildwood -- happily stuck in the 1950s -- glory days are back on the Jersey shore Travel Holiday Spring 2000 The Nostalgia Broker Alex Shear's obsession with consumerism has created a mirror of modern America Cigar Aficionado February 1998 A Feather in Your Cape There's one good reason to go to Cape May, New Jersey, in spring -- most of the tourists are birds Travel & Leisure April 1997 Back to top